Producer Nashiem Myrick’s deceptively candied use of David Porter’s “I’m Afraid The Masquerade Is Over” lends the missive a psychedelic quality. “Who Shot Ya?” would be part of a chain of events with fatal consequences for both sides, and it’s impossible to divorce that context from what’s by itself a surrealistically sharp track. But the song dropped a month after the incident, and Tupac was convinced they’d set him up. denied this song was about Tupac, with the latter saying it was recorded months before he was shot and robbed at the lobby of the same studio they were recording in. Even at their most bizarre, Biggie was really living his raps.ġ3. The whole saga is too absurdly detailed to not at least have some truth to it.Īnd apparently it did: Fat Joe reluctantly told ESPN in 2016 that the victim in question was late Knicks fan favorite Anthony Mason, and Diddy confirmed a few days later. Biggie then spends the latter half of the track retelling the tale to his boys in a barbershop-like conversation (“Y'all n-as ain't gonna believe what the fuck happened to me”). This fellow - who’s about 6-foot-5 Biggie’s not entirely sure - walks in at the wrong time, forcing our anti-hero to rob him. has an after-hours tryst with a woman who happens to be involved with a player from the Knicks, who’s playing against the Utah Jazz that night. Life After Death saw Biggie doubling down on noirish storytelling raps (“N-as Bleed,” “Somebody's Gotta Die”), but the most indelible of the bunch is “I Got a Story to Tell.” In this episode, B.I.G. That goes for every dimension of Biggie’s persona - the certified mack, the raconteur, and the English language-loving street rhymer. Sifting through it, a lot of his material still stands as some of the best hip-hop has to offer, thanks to the charisma that naturally leaks out of his prose, as well as Sean "Puffy" Combs’ pristine ear for beats. This time of year is also for once again taking stock of Biggie’s tragically short catalog. Every birthday is a reminder that the man born Christopher Wallace was able to accomplish all of this in just five years in the business and one album released in his lifetime. He’s ground zero for many of today’s tropes, including the started-from-the-bottom narratives, that love of Versace, and the mainstream power of New York hip-hop. That said, there won’t be a permutation of the genre that doesn’t carry The Notorious B.I.G.’s DNA.
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Hip-hop has transformed dozens of times in the decades since the ‘90s, and will change dozens of more times in the years to come.